Twitter

Tuesday, March 22, 2011

Is Your Band Biog Boring???


It's not much of a blog entry, I know. It's just a quick link with a message behind it.

I could've put this on facebook where more people would have seen it, but then you wouldn't feel as exclusive and privileged as you should do for being here. I will relink and repost and you should too. (Thanks in advance)

http://www.thosebloodysnakes.co.uk/

Here's what to do. Click the link above, enter the site and then visit the page called 'The Band' and read the profiles for the band members of Those Bloody Snakes.

Is your band biog this funny, articulate and imaginative? Well, maybe it should be. A band biog like this, although not entirely 100% truthful and serious, can really make someone want to listen to/go see/meet your band. Don't you agree?

alec@antipoprecords.co.uk

Tuesday, March 15, 2011

Demo Review : SpaceGod


SpaceGod in ten words or less: "An introspective psychedelic blues explosion of a tortured robotic...dog"

Combining Dire Straits guitars, Jim Morrison vocals and Pink Floyd soundscapes can't be easy. The ambition in these three tracks that draws on influences past and future is actually worthy of a daft overblown name like SpaceGod. They may as well be called Europa or Utopian Wild Berry Fantasy, or some other shampoo sounding name. The bottom line, jokes and jibes aside, is here is a demo you may actually want to listen to again...and again.

These early recordings are the greatest testament to the daring ideas SpaceGod harbour and although it loses it grip at times and drags like an extended version of Lord of the Rings in others the sheer sublime moments of beauty are worth the listen alone.

It's just comforting to know that as the world turns to shit and drags music down with it people are still writing ambitious songs with this much creative energy. The world would less exciting if people didn't or hadn't attempted to make music like this. The world would be a more boring place without SpaceGod.




You can listen to these demos at:
www.reverbnation.com/spacegod

Wednesday, March 2, 2011

The difference between pay to play and selling tickets.

PAY TO PLAY: Buy tickets in advance. And you have to give the promoter/venue manager the money per ticket and you keep the extra money per ticket. E.g. Buy 50 tickets @ £5 and you can sell for whatever.

Advantage: you can choose how much you make per ticket.

Disadvantage: You need all the money up front.

Question: Can you refund any unsold tickets in the night?

Why do people do this?
A: Stupid.
B: Really want the gig (it might be high profile and boost the profile of the band.)
C: Might have a lot of money and be confident the tickets can be sold.

SELLING TICKETS: No money is paid in advance. Tickets are priced and a deal between how much money the band gets and how much the venue gets. e.g. Tickets face value £5. Split £4 to promoter/venue. £1 to band per ticket sold.

Advantage: The band can get tickets to friends/fans/family. Can avoid a rise in ticket price on the day (additional venue booking fee) Promoter knows how many people came to see your band. People are more likely to attend a gig if they have a ticket in advance.

Disadvantage: Confusing. Time consumimg. Extra responsibility. Requires organisation.

Question: is there a minimum number to be sold before this split occurs? i.e. Band must sell 25 tickets and then receive £1 per ticket sold over specified amount.

Why do people do this?
A: A good gig might seem worth doing to boost profile of band.
B: Band wants to impress certain promoters with high ticket sales.
C: Bigger venues offer this type of deal and bigger venues have bigger PA, better lights, nicer dressing rooms etc.

How to sell tickets: Advertise you have tickets and the price of the tickets through your website, facebook, myspace, mailing list, etc. Make sure you explain the tickets are cheaper from the band than on the door on the night (if this is the case.)

How to get tickets to people: Split the tickets between members, keep the tickets and ticket money in one envelope, wallet or box. Can you meet people on lunch break, at work, after work? *Do not post tickets unless completely necessary. Extra cost to you and not 100% reliable* If you have trouble getting tickets to people do not worry. Make a list of the names of people who you think will come but haven't received tickets and give this list to the cashier/door collector/box office person along with the unsold tickets. If a person is definitely coming you can put their tickets in an envelope with their name on. (And if you have lots of these put them in alphabetical order to save the box office time.)


REMEMBER!** Ultimately it doesn't matter how many tickets you sell for a gig. A promoter may not be overjoyed but do not buy your own tickets. You are advertising a gig on behalf of a promoter. You should not be contracted nor obliged to sell ANY tickets in advance. Any tickets you do sell are a bonus for the promoter. Yes you want people there, you want an atmosphere, you want to impress but you are a band not a promoter. Hand over the money for the sold tickets to promoter upon arrival at venue. Do not wait until doors do not sell to friends outside do not sell to people in the queue to boost your sales. You are musicians not ticket touts.

Concentrate on the gig. Hand your money, your tickets and your names list (people you haven't been able to get tickets to but said they will attend) over to the cashier and let them count while you are there. If they don't, ask them to. Ideally they will give you a form to sign that verifies your count and their count matches.

After you have played. Check to see how many people came to see you play. Don't pester the poor person every two minutes. Do not leave the venue until you have collected your payment. Make sure you read all the paperwork, do not rush. If there is anything you don't understand make sure you ask. If you think there is a mistake don't be afriad to point it out or question it.

*Make sure no tickets are lost. Bands are charged for tickets that are lost! All tickets should be numbered so if you divide the tickets between member you can make a note who has which numbers if any go missing. Try not to leave this to the last minute although inevitably this occurs.

alec@antipoporecords.co.uk

Help Kill and Destroy The Vermin Suicides and Yourself at the same time



(Please relink and repost.)
Hi all, we're playing Battle of the Bands. If we win the heat (have to vote on a bit of paper and some experienced & qualified judges will judge us (like x factor) we get through to the next round. Tickets are only £12 each (we don't get any of that money) and we play for 25 mins (we have to cut 6 songs from the set) and the other bands on are random (because anyone can play no matter how good you are or what style you are) and the final is in London (£35 coach trip & ticket £12) and if we win we get a gig on the radio (in Worcester) at 2am and a Microphone (x1) and a sticker from Marshall. Please send your money and kids to whataloadofbollox@wastemyfriendstimeandmoney.co.uk or youshouldbeashmedofyourself@rapingbands.com

We're just not sure which one we should enter:

Surface Unsigned
Jar Music
Carling Battle of the Bands
Low Flying Records

We'll be sure to keep you updated on our progress as we endeavor to become 'the best band our mates have heard of'.

Tuesday, March 1, 2011

New Band - Beta

How new? Brand new!

Escaped from Shutter Island, these boys BELONG in a mental asylum.



Beta are a gargantuous musical explosion. A palette of amazing colour and wild rock. The riffs they harness would stunt the beast of Bodmin moor. This is the kind of music Jarheads listen to at war. It's heavy hitting and funky as hell. Take your musical blender and insert equal spoonfuls of amazing US rock and metal because it's not like nothing you've ever heard before. If you own records by all of these bands Incubus, Faith No More and Disturbed you have found a great new name on not just the UK metal scene but the Global scene. God bless you internet.



www.thebetaspace.com
Antipop

"Images courtesy of Nutt"

Wednesday, December 29, 2010

This is an email from Avaaz requiring urgent repsonse. Please follow the link.

Rupert Murdoch wants to buy his way to more media and political power with his bid for full ownership of BSkyB. We only have 4 days to press the government to initiate a full review of what this would mean for our media.




This week sees a vital test for our democracy. How we act now will determine whether – in new years to come - our media is dominated by a few corporate bullies or sustained by diverse independent voices.

The Prime Minister has stripped Vince Cable of responsibility for judging the BSkyB media takeover because Cable stated strong views on Rupert Murdoch. But – ridiculously – David Cameron has given the task to another minister who’s clearly biased. Jeremy Hunt says he is a massive Murdoch fan. We can’t trust Hunt to stop Murdoch dragging our public debate into the gutter, as he has done in the US.

Let’s urgently show Jeremy Hunt and David Cameron how we feel. If we make a big fuss the government won’t be able to wave through the Murdoch deal and will be forced to order a full and fair review by the Competition Commission. Sign the petition and send to friends and family -- Avaaz and 38 Degrees will deliver it this Friday.

https://secure.avaaz.org/en/murdoch_bskyb/?vl

If it buys the rest of BSkyB TV on top of the many newspapers it already owns, Murdoch’s News Corporation could soon control half of UK national newspapers and television. This would fly in the face of the law guaranteeing ‘media plurality’. But this law is new and untested, and the government needs guts to uphold it in the face of Murdoch’s powerful political machine.

Regulator Ofcom is due to submit its assessment of Murdoch’s plans on new year’s eve. Then it’s up to Jeremy Hunt to decide what to do next. He can either say OK to the deal, or refer it to the Competition Commission – for a full assessment that includes plurality, or a limited commercial review, as if this was the market for washing machines. Worryingly Hunt seems to see the media that way – his website states that Rupert Murdoch “has probably done more to create variety and choice in British TV than any other single person”.

We know that the Murdoch family doesn’t just own newspapers, but wields major political influence. Rupert Murdoch and his son James have had several meetings with David Cameron and Jeremy Hunt since the election. The Murdochs presumably pressed for concessions to increase their commercial empire – including by attacking the BBC. Murdoch’s Fox News has pushed an aggressive line against action on climate change and for the war in Iraq.

This decision is one of the most important that this government will take – and can’t be based on one minister’s opinion following a rushed portfolio swap. To keep our media in safe hands let’s sign the petition calling for a review that will guarantee a diverse and fair media.

https://secure.avaaz.org/en/murdoch_bskyb/?vl

In the world we are striving to create vital decisions will be taken on the basis of heartfelt principles, not high politics. This review is our chance to ensure our media can hold our politicians and businesses to account for many years into the future.

MORE INFORMATION

Murdoch's BSkyB Deal Chances Improve as Conservative Hunt Is Given Review (Bloomberg)
http://www.bloomberg.com/news/2010-12-22/murdoch-s-bskyb-deal-chances-improve-as-jeremy-hunt-takes-over-review.html

Culture Secretary Jeremy Hunt allowed to rule on Murdoch's Sky bid despite claims of bias (Daily Mail)
http://www.dailymail.co.uk/news/article-1340994/Culture-Secretary-Jeremy-Hunt-allowed-rule-Murdochs-Sky-bid-despite-claims-bias-Labour.html?ito=feeds-newsxml

Conservative links to Murdoch under scrutiny as private meeting revealed (The Guardian)
http://www.guardian.co.uk/politics/2010/dec/22/conservative-links-murdoch-private-meeting

Fox boss ordered staff to cast doubt on climate science (Media Matters)
http://mediamatters.org/blog/201012150004

Rupert Murdoch’s growing media empire (BBC)
http://www.bbc.co.uk/news/10317856

Wednesday, December 1, 2010

How to put your own gig on

This is a works in progress, I'm typing live so it might not be as comprehensive as it I would like. Please check back. As ever your feedback to info@antipoprecords.co.uk

DIY Gigs - Step One - With these simple ideas we hope to inspire you and guide you to - Making money, looking cool in front of your peers and having a good time.

This is aimed at young people who may have played no gigs or a handful of gigs and had similar ideas and wonder if it's easy or hard to put your own gigs on. People will often look for the promotors who organise concerts in the nearest city centre of the biggest venue. this is great and can be a good experience but there are advantages to putting your own gigs on. Here's a basic run down of things to think about. If you need further questions email info@antipoprecords.co.uk


There are a ton of basic thing you need to make a gig. The most important are also the most obvious.


WHERE?

VENUE - School hall. Youth Club, Scout Hut, Club House, Shed, or Church hall?

Find the place. Get your smartest friend or most polite friend to speak with the owner or manager. Make a plan before you go so you knwo wwhat you are talking about. If you have drafts of tiem sheets, designs for posters or cds of the music you can take it with you and it will show you are prepared.

Be HONEST - with the number of people you hope to attend, the type of music you have planned and the volume of music you anticipate because you don't want to shock the owner/manager on the night into canceling your gig because you changed the original plan massively.

*Is the venue free to hire? What do you have to do to hire it? Is theer a deposit? Is the deposit refundable? Be careful if there is paper to sign and before you agree to anything. If there is a deal with money to be completed AFTER the gig make sure the deal is black and white and cannot be changed on the night by the owner/manager.

WHEN?

try to plan with as much time in advance as possible. The longer you have the less rushed you will be. Things can always go wrong no matter how much time you have to prepare but the more time you have the better,

Make sure you chose your date very carefully. Make sure the date you have planned is not also the final of the X Factor, the World Cup final, the last ever episode of Coronation St or the biggest concert EVER in the venue next door. Know your competition!

Friday nights are usually the best night of the week to plan gigs. People finish work and school for the week. School holidays are when people are off school, college, university and have nothing else to do.


FACILITIES - does it have electricity? Do you need to plug in amplifiers? Does the place have a toilet? Sink, wash basin? A first aid kit? Car parking? Lots of stairs? What kind of people usually visit the location? Old, young, rich, poor, regular, tourist? How will these people react to the gig you are planning?


HOW?

EQUIPMENT - PA, A public address system or speakers, amp, cables and mixing desk are usually required to give singers microphones amplification. These need to be plugged in somewhere. Make sure the place you choose has electricity and extension cables to stretch power around the stage. Unless you are in a large place tit is unlikely that much more than singers will need to be amplified.

If you don't have any of this stuff you could approach the local music shop to sponsor your event. If they have the equipment to hire but do not wish to sponsor you could approach a local small business and ask them for sponsorship. The money they give to you to pay for the hire of the equipment you can offer in return to put up posters to advertise their shop at the event or include an advertisement in your promotion i.e. on the back of the flyer.

INSTRUMENTS - Do you have the necessary musical equipment? If the bands can share as much equipment as possible you can save time on soundchecking and gaps between the bands, making the night run smoother and faster.



MAKING THE MOST OF THE NIGHT

You want lots of people to attend.

PROMOTION - flyers, posters, spread the word. everybody has facebook, don't they? Messaging friends, with txts, putting posters up in school, college, local shops. Get your most artistic friends to design a poster. Call up the local newspaper, radio station and speak to the arts/entertainments or listing editor. they usually decide what gets a mention in the paper. The radio DJ is the person who plays at the peak time. Usually morning 8-9am and evenings 5-6pm. Or the DJ who plays the most suitable type of music. Ask politely if you can put posters up in the local shops.

TICKETS - if you are printing tickets to sell or giveaway in advance make sure they are numbered and cannot be copied easily. Make sure you keep a record of who has how many and how many there in total.

PERFORMERS

BANDS/DJs/RAPPERS - Choose your bands carefully. Make sure the bands fit the style of music. The more people you know and trust the better.

FRIENDS - you will need help from friends/family. Who is going to drive the heavy stuff? Someone with a car/van. If you are collecting money on the door who is the most trustworthy person? It is useful to keep one sensible person in charge of the money.

TIMES - time the event to start at a time and plan all the set up time and packing away time included. Work out how long a band can play, how many tracks they play. You will need enough time to bring in equipment and do soundchecks with the equipment. If there are neighbours nearby you may need to finish by a certain time.

YOU - try not to stress out too much, don't lose sleep. Do not shout at people, lose your temper, do not drink alcohol. Always be polite and think on your feet. you are the face and voice of the gig. Treat yourself and others with respect. everybody makes mistakes.


By doing DIY gigs you avoid getting told who you play with what time you play how much the ticket is and what you can and can't do. You make the rules, you make the gig, you make the atmosphere. All good experience.